Tonal Harmony
8th EditionISBN10: 125944709X
ISBN13: 9781259447099
Copyright: 2018
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ISBN10: 1259692973 | ISBN13: 9781259692970
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ISBN10: 1259686787 | ISBN13: 9781259686788
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The estimated amount of time this product will be on the market is based on a number of factors, including faculty input to instructional design and the prior revision cycle and updates to academic research-which typically results in a revision cycle ranging from every two to four years for this product. Pricing subject to change at any time.
The estimated amount of time this product will be on the market is based on a number of factors, including faculty input to instructional design and the prior revision cycle and updates to academic research-which typically results in a revision cycle ranging from every two to four years for this product. Pricing subject to change at any time.
Program Details
Part I: Fundamentals
Chapter 1: Elements of Pitch
Chapter 2: Elements of Rhythm
Chapter 3: Introduction to Triads and Seventh Chords
Chapter 4: Diatonic Chords in Major and Minor Keys
Part II: Diatonic Triads
Chapter 5: Principles of Voice Leading
Chapter 6: Root Position Part Writing
Chapter 7: Harmonic Progression
Chapter 8: Triads in First Inversion
Chapter 9: Triads in Second Inversion
Chapter 10: Cadences, Phrases, Periods, and Sentences
Chapter 11: Two-Part Tonal Counterpoint
Chapter 12: Non-Chord Tones 1
Chapter 13: Nonchord Tones 2
Part III: Diatonic Seventh Chords
Chapter 14: The V7 Chord
Chapter 15: Other Diatonic Seventh Chords
Part IV: Chromaticism
Chapter 16: Secondary Functions 1
Chapter 17: Secondary Functions 2
Chapter 18: Modulations Using Diatonic Common Chords
Chapter 19: Some Other Modulatory Techniques
Chapter 20: Binary and Ternary Forms
Part V: Chromaticism 2
Chapter 21: Mode Mixture and the Neapolitan
Chapter 22: Augmented Sixth Chords
Chapter 23: Enharmonic Spellings and Enharmonic Modulations
Chapter 24: Further Elements of the Harmonic Vocabulary
Chapter 25: Tonal Harmony in the Late Nineteenth Century
Part VI: An Introduction to Twentieth-Century Music
Chapter 26: Materials and Techniques
Chapter 27: Post-Tonal Theory
Part I: Fundamentals
Chapter 1: Elements of Pitch
Chapter 2: Elements of Rhythm
Chapter 3: Introduction to Triads and Seventh Chords
Chapter 4: Diatonic Chords in Major and Minor Keys
Part II: Diatonic Triads
Chapter 5: Principles of Voice Leading
Chapter 6: Root Position Part Writing
Chapter 7: Harmonic Progression
Chapter 8: Triads in First Inversion
Chapter 9: Triads in Second Inversion
Chapter 10: Cadences, Phrases, Periods, and Sentences
Chapter 11: Two-Part Tonal Counterpoint
Chapter 12: Non-Chord Tones 1
Chapter 13: Nonchord Tones 2
Part III: Diatonic Seventh Chords
Chapter 14: The V7 Chord
Chapter 15: Other Diatonic Seventh Chords
Part IV: Chromaticism
Chapter 16: Secondary Functions 1
Chapter 17: Secondary Functions 2
Chapter 18: Modulations Using Diatonic Common Chords
Chapter 19: Some Other Modulatory Techniques
Chapter 20: Binary and Ternary Forms
Part V: Chromaticism 2
Chapter 21: Mode Mixture and the Neapolitan
Chapter 22: Augmented Sixth Chords
Chapter 23: Enharmonic Spellings and Enharmonic Modulations
Chapter 24: Further Elements of the Harmonic Vocabulary
Chapter 25: Tonal Harmony in the Late Nineteenth Century
Part VI: An Introduction to Twentieth-Century Music
Chapter 26: Materials and Techniques
Chapter 27: Post-Tonal Theory
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