
Music: The Art of Listening Loose Leaf
9th EditionISBN10: 0078025176
ISBN13: 9780078025174
Copyright: 2014
Instructors: choose ebook for fast access or receive a print copy.
Still Have Questions? Contact your Rep s
With the McGraw Hill eBook, students can access their digital textbook on the web or go offline via the ReadAnywhere app for phones or tablets.
McGraw Hill eBook Courses Include:
- Offline reading – study anytime, anywhere
- One interface for all McGraw Hill eBooks
- Highlighting and note-taking
- Syncs across platforms, always up-to-date
- Available for Android and iOS
Rent Monthly
Purchase Options
Students, we’re committed to providing you with high-value course solutions backed by great service and a team that cares about your success. See tabs below to explore options and pricing. Don't forget, we accept financial aid and scholarship funds in the form of credit or debit cards.
Loose-Leaf Purchase
- Purchase un-bound 3-ring binder ready textbook
- Flexibility and ease of selecting chapters to take where you want to go
ISBN10: 0078025176 | ISBN13: 9780078025174
Purchase
$129.00
Hardcopy
Receive via shipping:
- Bound book containing the complete text
- Full color
- Hardcover or softcover
ISBN10: 1259681092 | ISBN13: 9781259681097
Purchase
$225.20
Connect
- Personalize your learning, save time completing homework, and possibly earn a better grade
- Access to eBook, homework and adaptive assignments, videos, and study resources
- Download free ReadAnywhere App for offline access to eBook for anytime reading
- Connect may be assigned as part of your grade. Check with your instructor to see if Connect is used in your course.
ISBN10: 0077493141 | ISBN13: 9780077493141
180 Day
$90.00
The estimated amount of time this product will be on the market is based on a number of factors, including faculty input to instructional design and the prior revision cycle and updates to academic research-which typically results in a revision cycle ranging from every two to four years for this product. Pricing subject to change at any time.
The estimated amount of time this product will be on the market is based on a number of factors, including faculty input to instructional design and the prior revision cycle and updates to academic research-which typically results in a revision cycle ranging from every two to four years for this product. Pricing subject to change at any time.
Program Details
1. Sound
2. Rhythm
3. Melody
4. Harmony
5. Timbre
6. Attending Performances
Part Two: Ancient Greece, the Middle Ages, the Renaissance (c. 500 BCE-1600 CE)
7. The Music of Anceient Greece
8. Medieval Music
9. The Renaissance: General Characteristics
10. Sacred Music of the Renaissance
11. Secular Music in the Renaissance
Part Three: The Baroque (1600-1750)
12. Toward the Baroque
13. The Baroque: General Characteristics
14. Dramatic Music of the Baroque
15. Baroque Instrumental Music
Part Four: The Classical Period (1750-1820)
16. Toward Classicism
17: The Classical Period: General Characteristics
18. Formal Design in the Classical Period
19. Vocal Music in the Classical Period
Part Five: The Age of Romanticism (1820-1910)
20. Toward Romanticism
21. The Romantic Style: General Characteristics
22. The Romantic Style: Orchestral Music
23. The Romantic Style: Music for Solo Instrument and for Voice
24. Dramatic Music of the Romantic Period
Part Six: Revolution and Evolution: Music in the Twentieth Century and Beyond
25. Toward a New Music
26: The Twentieth Century and Beyond: General Characteristics
27: Musical Revolutionaries
28: Musical Evolutionaries
29: Music for Stage and Films
30: Jazz
Postlude: The New Internationalism
About the Author
Jean Ferris
After receiving her MA in Music History and Literature at Arizona State University, Jean Ferris taught Music History and Appreciation at ASU. In addition to her work at the University, she has been involved with the music community by serving as a church choir director, singing with the Phoenix Symphony Chorale, playing the organ, and touring to Japan with her high school handbell choir--apparently the first handbell choir to perform in that country.
Ferris is the author of two books: Music: The Art of Listening and America's Musical Landscape.
Larry Worster
Larry Worster (B.S., St. Lawrence University; B.A., University of Colorado at Boulder; M.M. University of Colorado at Boulder; Ph.D., University of Colorado at Boulder) is a Professor of Music at Metropolitan State College of Denver. He taught previously at the University of Colorado, Regis College, and Denver University. He performed for ten years (1984-94) in the Irish folk ensemble Colcannon. Dr. Worster has been active in the leadership of the Rocky Mountain Chapter of the College Music Society, the Society for American Music, and the Board of Directors of the Boulder Bach Festival. He is the author of Cecil Effinger: A Colorado Composer published in 1997 by Scarecrow Press. He has published articles in the American Music Research Center Journal and the Sonneck Society Bulletin and presented papers at conferences of the American Musicological Society, Sonneck Society, and the College Music Society. His ChartCreator software is published as shareware at www.chartcreator.com. Six customized sets of ChartPlayer software for the support of general studies music textbooks have been published by McGraw-Hill.
1. Sound
2. Rhythm
3. Melody
4. Harmony
5. Timbre
6. Attending Performances
Part Two: Ancient Greece, the Middle Ages, the Renaissance (c. 500 BCE-1600 CE)
7. The Music of Anceient Greece
8. Medieval Music
9. The Renaissance: General Characteristics
10. Sacred Music of the Renaissance
11. Secular Music in the Renaissance
Part Three: The Baroque (1600-1750)
12. Toward the Baroque
13. The Baroque: General Characteristics
14. Dramatic Music of the Baroque
15. Baroque Instrumental Music
Part Four: The Classical Period (1750-1820)
16. Toward Classicism
17: The Classical Period: General Characteristics
18. Formal Design in the Classical Period
19. Vocal Music in the Classical Period
Part Five: The Age of Romanticism (1820-1910)
20. Toward Romanticism
21. The Romantic Style: General Characteristics
22. The Romantic Style: Orchestral Music
23. The Romantic Style: Music for Solo Instrument and for Voice
24. Dramatic Music of the Romantic Period
Part Six: Revolution and Evolution: Music in the Twentieth Century and Beyond
25. Toward a New Music
26: The Twentieth Century and Beyond: General Characteristics
27: Musical Revolutionaries
28: Musical Evolutionaries
29: Music for Stage and Films
30: Jazz
Postlude: The New Internationalism
About the Author
Jean Ferris
After receiving her MA in Music History and Literature at Arizona State University, Jean Ferris taught Music History and Appreciation at ASU. In addition to her work at the University, she has been involved with the music community by serving as a church choir director, singing with the Phoenix Symphony Chorale, playing the organ, and touring to Japan with her high school handbell choir--apparently the first handbell choir to perform in that country.
Ferris is the author of two books: Music: The Art of Listening and America's Musical Landscape.
Larry Worster
Larry Worster (B.S., St. Lawrence University; B.A., University of Colorado at Boulder; M.M. University of Colorado at Boulder; Ph.D., University of Colorado at Boulder) is a Professor of Music at Metropolitan State College of Denver. He taught previously at the University of Colorado, Regis College, and Denver University. He performed for ten years (1984-94) in the Irish folk ensemble Colcannon. Dr. Worster has been active in the leadership of the Rocky Mountain Chapter of the College Music Society, the Society for American Music, and the Board of Directors of the Boulder Bach Festival. He is the author of Cecil Effinger: A Colorado Composer published in 1997 by Scarecrow Press. He has published articles in the American Music Research Center Journal and the Sonneck Society Bulletin and presented papers at conferences of the American Musicological Society, Sonneck Society, and the College Music Society. His ChartCreator software is published as shareware at www.chartcreator.com. Six customized sets of ChartPlayer software for the support of general studies music textbooks have been published by McGraw-Hill.
Shipping Options
- Standard
- Next day air
- 2nd day air
- 3rd day air
Rent Now
You will be taken to our partner Chegg.com to complete your transaction.
After completing your transaction, you can access your course using the section url supplied by your instructor.