World Music: Traditions and Transformations
2nd EditionISBN10: 0073526649
ISBN13: 9780073526645
Copyright: 2012
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Program Details
Preface
About This Book: An Introduction for Students
PART I
Chapter 1: What, in the World, Is Music?
Chapter 2: How Music Lives: A Musicultural Approach
Chapter 3: How Music Works, Part I: Rhythm
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
PART I
Chapter 1: What, in the World, Is Music?
Chapter 2: How Music Lives: A Musicultural Approach
Chapter 3: How Music Works, Part I: Rhythm
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 2: How Music Lives: A Musicultural Approach
Chapter 3: How Music Works, Part I: Rhythm
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
References Cited in the Text
Credits
Index
Index
Preface
About This Book: An Introduction for Students
PART I
Chapter 1: What, in the World, Is Music?
Chapter 2: How Music Lives: A Musicultural Approach
Chapter 3: How Music Works, Part I: Rhythm
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
PART I
Chapter 1: What, in the World, Is Music?
Chapter 2: How Music Lives: A Musicultural Approach
Chapter 3: How Music Works, Part I: Rhythm
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 2: How Music Lives: A Musicultural Approach
Chapter 3: How Music Works, Part I: Rhythm
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 4: How Music Works, Part II: Pitch
Chapter 5: How Music Works, Part III: Dynamics,
Timbre, and Instruments
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 6: How Music Works, Part IV: Texture and Form
PART II
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 7:Indonesian Gamelan Music: Interlocking Rhythms, Interlocking Worlds
Chapter 8: From Raga to Bollywood: Developments and Intercultural Crossings in Indian Music
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 9: ‘Not the Same, but Just as Nice’: Traditions and Transformations in Irish Music
Chapter 10: The River and the Path: Conversation and Collective Expression in West African Musics
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 11: ‘See How She Moves’: Musics of Latin America and the “Oye Como Va” Phenomenon
Chapter 12: From Baladi to Belly Dance: Rhythm, Dance, and Music in Egypt and Beyond
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
Chapter 13: A Musicultural History of the Chinese Zheng
Glossary
References Cited in the Text
Credits
Index
References Cited in the Text
Credits
Index
Index
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ISBN10: 0077337719
ISBN13: 9780077337711
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